Creationism ( es, creacionismo) was a

literary Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to ...

movement Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

initiated by Chilean poet

Vicente Huidobro Vicente García-Huidobro Fernández (; January 10, 1893 – January 2, 1948) was a Chilean poet born to an aristocratic family. He promoted the avant-garde literary movement in Chile and was the creator and greatest exponent of the literary m ...

around 1912. Creationism is based on the idea of a

poem Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in ...

as a truly ''new'' thing, created by the author for the sake of itself—that is, not to praise another thing, not to please the reader, not even to be understood by its own author. Huidobro himself defined it as "a general aesthetic theory" rather than a

school of art An art school is an educational institution with a primary focus on the visual arts, including fine art – especially illustration, painting, photography, sculpture, and graphic design. Art schools can offer elementary, secondary, post-second ...

. He proposed that poetry should not be a commentary, something written about something else. In his own words: created poemis a poem in which every constituent part, and the whole, show a new fact, independent of the external world, not bound to any other reality save its own, since it takes a place in the world as a singular phenomenon, separate and distinct from the other phenomena. That poem is something that cannot exist except inside the poet's head. And it is not beautiful because it commemorates something, it is not beautiful because it reminds us of things we have seen that were beautiful in turn, or because it describes beautiful things that may come to see. It is beautiful in itself and it does not admit terms of comparison. And neither can it be conceived outside the book. Nothing in the external world resembles it; it makes real what does not exist, that is to say, it turns itself into reality. It creates the wonderful and gives it a life of its own. It creates extraordinary situations that can never exist in the objective world, that they will have to exist in the poem so that they exist somewhere. Huidobro cites as inspiration some "admirable poems" of

Tristan Tzara Tristan Tzara (; ; born Samuel or Samy Rosenstock, also known as S. Samyro; – 25 December 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, comp ...

, though their "creation" is more formal than fundamental, and also some works by

Francis Picabia Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism ...

, Georges Ribémont Dessaignes,

Paul Éluard Paul Éluard (), born Eugène Émile Paul Grindel (; 14 December 1895 – 18 November 1952), was a French poet and one of the founders of the Surrealist movement. In 1916, he chose the name Paul Éluard, a matronymic borrowed from his maternal ...

, and the Spanish poets Juan Larrea and

Gerardo Diego Gerardo Diego Cendoya (October 3, 1896 – July 8, 1987) was a Spanish poet, a member of the Generation of '27. Diego taught language and literature at institutes of learning in Soria, Gijón, Santander and Madrid. He also acted as literar ...

(which Huidobro calls "the two Spanish creationist poets". The poet also claims that creationist poetry is by its own nature universal and universally translatable, "since the new facts remain identical in all languages", while the other elements that prevail in non-creationist poetry, such as the

rhyme A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic ...

and music of the words, vary among languages and cannot be easily translated, thus causing the poem to lose part of its essence.

References

External links

* , by Vicente Huidobro {{Authority control Chilean literature Latin American literature Poetry movements

See also

References

External links